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Welcome to the March 2026 newsletter

Artist of the month

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Marius Von Brasch in his studio. Photograph: Michael Eastwood

Marius von Brasch

Artist of the Month is an ongoing series where we highlight one of our members. This month we are pleased to introduce artist Marius von Brasch selected and interviewed by Paul Newman.



Marius von Brasch’s paintings explore transformation, identity, and the inner journeys of change, loss, and renewal. Moving between abstraction and figuration, each work holds memory, emotion, and reflection, inviting viewers to witness and engage with their own personal evolution.


‘For a long time, I have been captivated by both the potential and the fact of change, transformation and metamorphosis. The often unpredictable outcomes of such developments – abrupt or gradual, chosen or reinforced – can evoke fear as much as new perceptions of life…’

Read the interview
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Untitled v, oil on canvas, 80cm x 80cm, 2025

Solo Exhibitions

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Narbi Price: Shadow on the Things You Know

Bringing together a compelling body of paintings, Shadow on the Things You Know explores anonymous sites loaded with cultural importance and layered histories. Unpeopled locations offer the opportunity to wonder and wander through shifting landscapes, of pilgrimage to some and indifference to others. History and time is encoded into the making of the paintings and the deeper time and resonances they evoke.


Speaking about the exhibition, Narbi Price explained: “These paintings are linked by a sense of searching, for connection, for history, for belonging. They depict sites which have borne witness to momentous events and unknowable ones. In some ways, they’re about me pursuing something I know I’ll never catch; when I get there it’s already gone and I knew it would be. They’re memories, whispers and stories, made with colours, smudges and smears.”


Queen’s Hall Arts Visual Art Manager, Dr Dominic Smith added: “Narbi Price is an artist whose practice is rooted in curiosity, research and a deep commitment to painting. Presenting his work at Queen’s Hall is an important moment, bringing a nationally recognised artist into a community-focused space where ideas, making and conversation are shared. This exhibition reflects our commitment to supporting contemporary arts practice that remains open, generous and accessible to our audiences.”


Queen’s Hall, Beaumont Street, Hexham NE46 3LS

Private view: 6 March, 6.30pm - 8pm

Exhibition dates: 7 March - 30 May 2026

Opening times: Monday to Saturday, 10am - 4pm • Admission free

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It's back!

After our announcement in 2024 that we're going biennial, The Contemporary British Painting Prize is back for 2026!


We have made an important change this time around - we’re giving artists a head start by announcing the competition early, so they have more time to get their entries ready.


First Prize £8000 + more

Highly Commended Award £2000

Exhibitor’s fee for all shortlisted artists

Plus there are TWO extra prizes this year:
The Judith Tucker Memorial Prize and The YAS Exhibition Award.


MONDAY 11 MAY - Open for entries

MONDAY 8 JUNE - Entry closes

READ MORE

Two-person Exhibitions

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Left: Jonathan Waller, Lockdown Gouache No. 95, gouache on paper, 30cm x 21cm, 2022.

Right: Ruth Calland, Gialu (detail), oil on paper on board, 76cm x 61cm, 2024.

Always the Sun

Uniting the work of these two artists, Jonathan Waller and Ruth Calland, is a deep commitment to figurative painting, an openness of heart and a willingness to deal with difficult subject matter. They do this through a belief in the talismanic power of painting as a transformative process, which they find both necessary and helpful in negotiating life’s events, both personal and social.


Waller’s ‘Lockdown Portraits’ began during the Coronavirus pandemic and take Ancient Egyptian mummy portraits as a starting point, each of which went through many changes before arriving at their current form. What is distilled emotionally is the insistence of the outward gaze, as if the dead are reaching out to us and demanding to be recognised and remembered. This is particularly poignant in relation to our collective experience of seeing portraits of the dead shown on the tv news alongside loved ones - who were prevented from going through a natural process of mourning or holding a proper funeral.


Calland’s recent paintings also have their origin in the Covid period, when they discovered Tiktok as a tool to research trans creators as part of their exploration of their own non-binary identity. This led to the Pin-Ups series, celebrating trans people and the value of being in alignment with our true nature. For some this includes a re-vision of the body, which Calland presents as a hopeful and creative act, in the context of global assaults on trans rights, ecological systems, and marginalised groups of all kinds. These works celebrate self-determination, resilience, and the beauty of nature's infinite diversity.


The imposed hierarchies of the unjust and the need to resist them, are described in the Strangler’s melancholic song Always the Sun, from which the show takes its title. The sun which rises and sets each day is a constant, bringing relief and warmth, and even in times of hardship, the promise of renewal.


Pictorem Gallery, 383 Hoe St, Walthamstow, London E17 9AP

Private view: Friday 6 March, 6pm-9pm

Exhibition dates: 4 March - Saturday 28 March 20026

Opening times: Tuesday - Saturday 10am - 5pm • Admission free

Group Exhibitions

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Auto Amor Vol 3 at Terrace

Vol. 3 at Terrace Gallery is a vibrant, blind-selected group exhibition showcasing around 50 paintings on Auto Amor’s signature boards, curated by Terrace Gallery Director Karl Bielik. The show celebrates a bold exploration of colour, form and texture, bringing together a dynamic mix of contemporary approaches to painting. Includes work by CBP artist Lisa Denyer.


Terrace Gallery, Frederick Terrace, London

Exhibition dates: 27 February - 7 March 2026

Opening times: Open by appointment • Admission free • Website

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Day Bowman: Study 2 Marking Out the Boundaries, oil, charcoal and conte on canvas, 30cm x 35cm, 2025

Stereo

In this exhibition works are presented in pairs – either formal diptychs or pieces which sit well together.


Showing artworks in pairs has a long tradition in the visual arts. It allows the foundational idea of the work to be multiplied and amplified. Sympathetic relationships form – in composition or mark-making or palette – which can often be so strong as to make separate works seem inseparable once seen together.


In stereo audio reproduction, the aural information is distributed across a left-right spectrum. We hear the sounds in distinct places in this spectrum, resulting in a more immersive experience. Relative to a mono recording, the music has greater depth and dimension.


In the same way, the works in the exhibition are richer and more enveloping for having a wider visual spectrum and field of interest.


Artists: Eleanor Bartlett | William-Josh Beck | Day Bowman | Dina Bulavina | Harry Chrystall | Emma Cowley | Lawrence Dicks | Anthony Garratt | Jack Hilton | Felice Hodges | Louise Ørsted Jensen | Sarah Kirk | Beth Shapeero | Amanda Sumpter | Louis Vincent


Vanner Gallery, 45 High Street, Salisbury SP1 2PB

Private view: Thursday 12 March, 6pm - 8 pm

Exhibition dates: 12 March - 11 April 2026

Opening times: Tues - Sat 10am - 5 pm • Admission free

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Paula MacArthur: There will be no peace, oil on canvas, 100cm x 100cm

Turps East Sussex Mentor's Show

The Turps East Sussex Mentor's show features paintings by Matthew Burrows, The Baron Gilvan, Paula MacArthur, Joe Packer and Geraldine Swayne.


On Saturday 14 March at 2pm there'll be an introduction to the Turps Sussex Programme with Marcus Harvey, Helen Hayward and Laura Wormell followed by the private view.


Turps East Sussex Programme is a mentoring programme for painters whose studios are based in East Sussex.


Turps mentors visit participants in their own studios for one-to-one tutorials. Participants develop a supportive network of peers across the region through regularly scheduled group crits in Hastings and Brighton. Monthly artist talks will take place alternately at Hastings Contemporary and Phoenix Art Space throughout the academic year.


Electro Studios, Seaside Road, St Leonards on Sea, East Sussex TN38 0AL

Introduction to Turps Programme: Saturday 14 March, 2pm

Private view: Saturday 14 March, 3pm - 6pm

Exhibition dates: Saturday 14 and Sunday 15 March 2026

Opening times: 12 - 5pm • Admission free

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Enzo Marra: Survivor, ink on canvas, 21cm x30cm, 2026

The Newhaven Open Call 2026

Enzo Marra is included in the Newhaven Open Call 2026, which is taking place at BN9 Studio, Marine Workshops. A huge celebration of everyone's creativity through contemporary art.


BN9 Studio, Marine Workshops, Railway Approach, Newhaven BN9 OER

Private view: Saturday 14 March, 5pm - 8pm

Exhibition dates: 12 - 29 March 2026

Opening times: Thursday - Saturday 10am - 4pm, Sunday 10am - 3pm.

Admission free

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Katie Pratt: Mateidio, oil on canvas, 137cm x 110cm, 2025. Photo: BJ Deakin Photography.

Mirror City

An exhibition of works by nine contemporary artists: John Hoyland, Mali Morris, Lucienne O'Mara, John Bunker, Alexis Harding, Jacqueline Poncelet, John Gibbons, Katie Pratt and Dominic Beattie curated by Sam Cornish & Dominic Beattie.


The exhibition’s title references the third volume of Janet Frame’s autobiography, The Envoy from Mirror City (1985). Frame uses the metaphor of a Mirror City as a place where she (the envoy) can ponder her lived experiences, and from where she transforms these experiences into literature. Mirror City describes the space between the facts one receives from the physical universe and what one creates from them, a space of attunement to sensation, memory, emotion and imagination.


JGM Gallery, 24 Howie Street, London SW11 4AY

rivate view: 25 March, 6.30pm-8.30pm

Exhibition dates: 25 March - 1 May 2026

Opening times: Tuesday - Sunday 11am - 6pm

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Marguerite Horner: Mystery and Marvel, watercolour on paper, 20cm x 20cm, 2023

Royal Institute of Painters in Water Colours

The Royal Institute of Painters in Water Colours welcomes you to the RI 214th Exhibition, the largest exhibition of its kind, featuring over 400 of the finest contemporary watercolour and water-based media paintings from around the world.


Alongside the work of its elected members, leading figures in contemporary watercolour and water-based media, the RI showcases both emerging and established artists who push the boundaries of the medium through traditional and experimental approaches. Includes work by CBP artist Marguerite Horner.


Mall Galleries, The Mall, London SW1Y 5AS

Exhibition dates: 25 Mar 2026 - 11 Apr 2026

Opening times: 10am to 5pm

Closed on Easter Sunday 5 April and Easter Monday 6 April

Admission: Admission £7, free for Friends of Mall Galleries and under 25s.
Concessions available.

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Studio space © Susan Gunn

The Space of Painting

The Space of Painting explores the embodied act of creation as a site where material, gesture, time and perception converge. A place that is constructed and dismantled; layered, fractured and transformed through acts of mark-making and process. Can painting be a site of thought as much as vision, holding traces of labour, memory and doubt while negotiating the crossover between abstraction and representation, presence and absence?


The group exhibition is curated by Ann Bukantas and Phil Porter. A critical text will accompany the exhibition by Phil Porter.


Artists: Susan Absolon, Heather Alderson, Keith Ashcroft, Iain Andrews, Pete Clark, Graham Crowley, Jenny Eden, David Gledhill and Susan Gunn.


Rogue Project Space, Manchester M11 1WP

Private view: Saturday 4 April, 12 - 4pm

Finissage & Artists In Conversation Symposium: 25 April, 12 - 5pm

Exhibition dates: 4 - 25 April 2026

Opening times: Saturdays 12 - 4pm or by appointment • Admission free

Podcasts

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Aaron Kudi in his studio at the Slade School of Fine Art, London

A Geography of Colour Podcast with painter Aaron Kudi talking with Ruth Philo

This episode of A Geography of Colour is with Aaron Kudi, a contemporary painter, born in Bauchi, Nigeria, who lives and works in London. He grew up between Nigeria and London and Devon in the UK. He has a BSc in Psychology from London Metropolitan University, an MSc in Psychology from University College London and worked as a sculptor before becoming a painter. Aaron has undertaken residencies at Thread, Josef & Anni Albers Foundation, Senegal, 2024 and the British School at Rome, 2025. He is currently studying in the second year of an MFA at the Slade School of Fine Art, London.


Aaron’s practice explores aspects of human experience and consciousness in relation to our contemporary world. His paintings are abstract with echoes of figuration. Combining gesture, colour and surface, Aaron explores the materiality of paint to evoke sensations of the immaterial, with both a sense of intimacy and unease.

He says ‘I’ve come to think of painting as a kind of tending a slow, sometimes painful cultivation of what must grow and what must go. My own garden has been seeded by many things: the faith and science that lived side by side in my childhood home, the Nigerian Pentecostal rhythm of prayer and praise, the analytical precision of my father’s scientific mind, and the layered questions of belonging that come with moving between cultures. These early contradictions planted a fascination with dualities: control and surrender, knowing and feeling, faith and doubt. My painting practice, at its core, lives in the space between those states, between what I intend and what I could never fully control.’

LISTEN TO THE PODCAST
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Aaron Kudi: Untitled Rome, 200 year old ash, ink, liquid metal, Flashe, oil stick, enamel paint, 200cm x 200cm, 2025, © the artist.

Curatorial Projects

Mirco exhibitions at Bloc Studios curated by Sean Williams

Bloc Studios, 198 Arundel Street, Sheffield S1 4RE

Opening times: Please contact Sean Williams @swseanwilliams to arrange a viewing.

Admission free

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Greta Vilidaite: From The Pantry, oil on canvas panel, 30cm x 22cm, 2026

Making Arrangements II

Making Arrangements II is an exhibition of Still Life painting at Prosaic Projects Gallery, featuring work by John Brokenshire, Gill Gathercole, Ledlowe Guthrie and Greta Vilidaite.


Still life painting has long been one of the principal genres of art. It can include man-made and natural objects, a celebration of material pleasure. It is also a formal exercise in composing various elements to create an effective and engaging painting; accurately demonstrating an understanding of pictorial space; convincingly rendering form and texture. Occasionally, these parameters can be experimented with and undermined, suggesting a whimsical and playful stance on the part of the author. The space is occasionally distorted to remind us that we are looking at a painting. This micro exhibition is curated by Sean Williams.


Exhibition dates: 8 March - 12 April 2026

Fundraising

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David Manley: Hortus Parvum #13, oil on canvas 30cm x 30cm, 2025

Brisons Veor Auction

Brisons Veor Charitable Trust is running an auction to raise funds for renovation of its unique Residency on Cape Cornwall. CBP members Mandy Payne and David Manley (Chair of the Trust) have donated works. The auction runs until midnight 22 March and all works can be found @beggingbowl4brisons on Instagram. Over 40 artists have donated works and bids should be placed directly with [email protected].


Exhibition dates: 1 to 22 March 2026

Continuing Solo Exhibitions

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Iain Andrews: Gehenna, oil and acrylic on canvas, 225cm x 150cm, 2025

Whispers from the Red room

This is Iain Andrews' first solo exhibition in Italy and includes a number of past works alongside recent paintings made over the last two years.


Galleria Gaburro, Via Cerva 25, Milan 20122 Italy 20122

Exhibition dates: 25 February - 30 May 2026

Opening times: Tuesday - Saturday 10am-1pm and 2pm - 9pm Admission free

Continuing Group Exhibitions

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Marguerite Horner: Now I am Free, oil on linen, 100 x 100cm, 2025

All of your Demons will Wither Away

"This body of work emerged from a sustained engagement with the Pacific Ocean, particularly along the shores of Del Mar and Malibu, where I often watched the sunrise at Big Rock. In those quiet hours, I became absorbed by the mutable relationship between light and water - a continual dialogue of reflection, rhythm, and dissolution. Through this experience, light revealed itself not merely as a visual phenomenon, but as a vessel for perception, emotion, and presence.


Clare Hall, Herschel Road, Cambridge, CB3 9AL

Exhibition dates: 16 January - 5 March 2026

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Gordon Dalton: Life is Hard, That's Why No-One Survives, acrylic on canvas, 1700 x 2400, 2019

THE WEIGHT OF BEING: Vulnerability and Resilience in British Art

Curated by Angela Thomas, this exhibition explores artistic expression and mental health. Featuring work by CBP members Gordon Dalton, Nathan Eastwood and Narbi Price.


Two Temple Place, London WC2R 3BD

Exhibition dates: 24 January – 26 April 2026

Opening times: Tuesday, Thursday - Saturday: 11am - 6:00pm, Wednesday Late: 11am - 9pm, Sunday: 11am - 4:30pm, Closed on Monday • Admission free

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Day Bowman: Full Flood 6, oil and charcoal on canvas, 25cm x 30cm

Vanner Gallery, Gallery Artists: Act 2

Vanner Gallery Artists' Group Show including work by CBP member Day Bowman.


Vanner Gallery, 45 High Street, Salisbury SP1 2PB

Exhibition dates: 6 February - 7 March 2026

Opening times: Tues - Sat 10 am - 5 pm • Admission free

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Enzo Marra: So different yet we each fit, oil paint on gallery invite, 12.5 x 12.5cm, 2015

M E M E N T O A M O R I S

Memento Amoris is a vibrant cross‑section of contemporary art practices from a truly fantastic cadre of artists. Includes work by CBP member Enzo Marra.


The Lido Stores, 2 Ethelbert Terrace, Margate CT9 1RX

Exhibition dates: 7 February - 15 March 2026

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Barbara Howey: Marsh, oil on board, 51cm x 61cm, 2025

In Proximity

In Proximity brings together recent work by 87 artists based in East Anglia to explore experiences of closeness and includes CBP members, Amanda Ansell and Barbara Howey.


Norwich Castle Museum and Art Gallery, Norwich NR1 3JU

Exhibition dates: 14 February - 14 June 2026

Opening times: 10am -5pm • Admission: £15.30 adult and £13.05 children

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UNVEILED - presenting the Rugby Collection of Modern and Contemporary Art

Linda Ingham’s painting, Easter Self Portrait with Headband will be shown in this unique exhibition, where every artwork from the extensive Rugby Collection is brought together in a rare and powerful moment in the life of the collection.


Rugby Art Gallery & Museum, Rugby CV21 3BZ

Exhibition dates: 21 February - 6 June 2026

Opening times: Tuesday to Friday 10am-5pm, Saturday 10am-4pm, Bank Holidays 10am-4pm, Sundays and Mondays closed.

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Image: Reflections on the Aire – on strike [detail], 1879 by John Atkinson Grimshaw. © Leeds Museums & Galleries, acquired through the Patricia Hurst bequest (Leeds Art Fund)

Don't Let's Ask for the Moon... Nocturnes and Atkinson Grimshaw

John Atkinson Grimshaw's Moonlights from the 1880s brought the Leeds artist success and recognition, even from the crusading modernist American artist James McNeill Whistler.



This new exhibition brings together Leeds Art Gallery’s impressive collection of nocturnal pictures by the celebrated artist, including the latest acquisition Reflections on the Aire - on strike (1879) - likely to be one of the first paintings depicting the consequences of industrial action.



The show aims to shift our perceptions from Atkinson Grimshaw as a painter of place, providing a window of nostalgia onto a Victorian world. Alongside evocative images of nocturnal themes by four contemporary painters - Elizabeth Magill, Selma Makela, Judith Tucker and Joanna Whittle - and neon and photographic works by Roger Palmer, Atkinson Grimshaw can be seen here as a painter of modernity, possessed of a powerful poetry.


Leeds Art Gallery, The Headrow, Leeds LS1 3AA

Exhibition dates: 14 November 2025 - 19 April 2026

Opening times: Monday: Closed Tuesday - Saturday: 10am - 5pm (note: Upper galleries close from 4pm on Saturdays) Sunday: 11am - 3pm • Admission free

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