🔍 Unveiling the poster of our exhibition “MANIFEST – Afterimages and Perspectives of colonial enslavement!”
📚 Featuring scrapbooking techniques and iconic elements from the MANIFEST Resource Center, the poster’s visual explores the history of our Colonial past through four major axes.
📌 Transatlantic Trade: Iconographies highlight maritime aspects, forced migrations, stages of enslavement history, and commemorative architectural elements.
🎨 Featured elements: “The three caravels of Christopher Columbus” (Rafael Monleon y Torres), Marie-Séraphique plan (18th century), Speech on the Abolition of Slavery (1794), Door of No Return (Benin - Ouidah).
📌 Cultural Heritage: Iconographies represent cultural legacies, highlighting music, statues, social movements, and emotional aspects.
🎨 Featured elements: W. C. Handy at Sportsman Park (1944), Removal of the A. Lopez Statue (Barcelona), the March of 23 May 1998 (Paris).
📌 Economy and Territory: Iconographies focus on the economic aspects, particularly agriculture and resource exploitation.
🎨 Featured elements: world map by Diogo Ribeiro (1900), trade-card “Sir Hans Sloan’s Milk Chocolate,” Enslaved people at a Coffee Yard in a Farm (1882), sugar cane field in Guadeloupe.
📌 Digital Technologies: Iconographies reflect the integration of digital tools like audio, video, projection, augmented, and virtual reality into the art.