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“Grace”

by Orlando Ricardo Menes

 

We cannot buy it in bulk at Trader Joe’s,
Swap it for gold, or hoard shares of Grace, Inc.,
To hedge against bad luck. We acquire it
Without contract, promissory notes, or IOUs,
Neither codicils nor fine print. We gather
Grace safe from litigation or severance,
And though we might breach the strictures of creed,
It cannot be forfeited or suspended. Rather,
Grace is asymmetric, parabolic, skewed to love,
Immanent and absolute, but also unpredictable
As quantum particles, both here and there,
Both full and empty, so it might arrive
Inopportunely and thus slip under hope,
Upsetting the earnest prayer, teasing our faith,
Like some rain bands, copious cumuli,
That appear astray, unbidden, in stagnant skies
To drench at last the drought-scourged earth.


As we welcome the warm weather, the celebrations of Spring, may you be graced with copious cumuli, bands of moisture, and the sweet songs of birds from dawn to dusk. 

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I will present a gilding workshop on Friday, April 10th, 2026 at my studio.

The workshop runs from 10am - 5pm. Materials are included.

Please visit this page for more information. 

Get in touch if you'd like to participate: you will need to make a deposit to hold your place. [email protected]

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Please join us on Thursday evening, April 2nd from 6-9pm for the reception at Culture Lab LIC. The reception is free, but please RSVP here:

 https://events.humanitix.com/rooted-lic

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Thank you to everyone who entered the Vernal Equinox Giveaway.

Watch for news of a special celebration giveaway

coming in April.

Geli Printing Workshop with Keili Woop at FitzgeraldArt Studio

April 24, 2026 from 10am - 2pm

Get in touch to reserve your spot.

Thank you to everyone that visited In Presence, We Persist.

Thank you to Stephanie Lee for curating a beautiful exhibit, and to Grace at Space G, Mana Contemporary for hosting the exhibit.

Pell Lucy’s exhibition Lucid Ground closes on April 3, 2026

at The Gallery at Atlantic Wharf!

290 Congress Street

Boston, MA 02210


I will be at the gallery on April 3rd from 5 - 7pm. Stop in!!

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What You Cannot Hold, an exhibition of my paintings at

The Gallery at 310 Riverside Drive,

 Riverside Drive at 103rd Street, NYC

Curated by Jim Richards and Don Piper.

The exhibition runs January 25, 2026 - April 26, 2026.

The gallery is open 24/7.

What if you like my work but feel you cannot afford to purchase it?

I believe art should live in the world, not only where resources concentrate. I’m continuing a project rooted in the solidarity economy called Pay What You Wish.

 I’m offering a small selection of original works through a pay what you can model. You choose the price that feels accessible and honest for you. This is an ongoing experiment in trust, care, and shared value — an invitation to collect art without financial barriers.

Find a new selection in each newsletter.

More on this topic can be found on my new Substack page:

Substack
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Afternoon East 

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Trees

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Garden

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Willows

Email me using the button below or by replying to this newsletter with the artwork name and the price you are willing to pay to claim this offer.
First come first serve.
The works above are available on a sliding scale, $75 - $650 each. No questions asked: choose the price that is right for you and get in touch with me. (Framing is not included.) These original watercolors are 20" x 18", sizes vary slightly.

If this resonates with you — or someone you know — I hope you’ll join me in imagining new ways art can circulate: generously, collectively, and close to home.

               Watch this space for new selections with each newsletter.

Get in touch with Karen

Fluid Media presents a new exhibit at Artsy.net. 

Find it here

Art Is Crucial is a timely reminder that art is one of the essential things in our world. From the curatorial statement: Art is a shared venture, one that allows all of us to inhabit a richer, deeper world filled with expanded possibility.

Thank you to Alison Cuomo and John Cox for curating this terrific exhibition.

Art Is Crucial on Artsy.net
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 @fairshareart, the artist collective that connects collectors directly with artists. New work is posted on the 1st of each month. Mark your calendar and check it out.

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Morning Garden With Goldenrod, 15 x 13," watercolor on preapred paper, $350.

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Winhall Morning 2, 13.5 x 11.5," watercolor on prepared paper, $350.

Silken Twine

A Spliced Connector Group exhibition at Artsy.net.

Curated by Linda Tharp

From the curatorial statement:



Joy & Woe are woven fine,
A Clothing for the Soul divine;
Under every grief & pine
Runs a joy with silken twine.
-William Blake, from “Auguries of Innocence”


Twine is made of two strands, twisted in opposite directions and then twisted together to create a strong cord. Each separate strand is an extended helix, one turning left and the other right, which are then bound together by being wound together. The word twine itself evokes both twinned and twain: two together, but also two inalterably split.

In Blake’s verse, two extremes of human experience – joy and sorrow – are bound together in a weaving of such fineness and lightness as to create a fabric to clothe the soul. This paradox evokes the inextricable bond between love and loss, presence and absence, joy and woe. Grief is the stationary warp of the fabric, and joy the mobile, silken weft. Love carries with it the prospect of loss, longing attaches to a glimmer of joy.

Find the full statement here.

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 Burning Bush, 60" diameter, oil on canvas, $13,150

Find the exhibit here

Pell Lucy’s current exhibition 


The Unexplained Necessary 

The Unexplained Necessary presents artists whose works emerge from a place prior to certainty—before that human urge to pin things down flattens the field and strips out what sparkles with mystery. In this rarefied terrain, intuition gets to lead and form can follow its own quiet will.

The works in this exhibit are not illustrations of ideas or acts of self-explanation; they belong to a lineage of visual inquiry that trusts what cannot yet be named. They invite viewers into the felt, the provisional, the in-between—where something essential is sensed long before it is understood. Here, materiality yields to a sense of immateriality through touch, pigment, surface, structure, and by allowing what is less tangible—yet unmistakably present—to come forward.


Find the full statement here

Find the exhibit here

My work is widely available outside of the studio.
Find it in these online presentations:

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Visit FitzgeraldArt on social media:

Please feel free to call on me for all your visual art needs!

www.FitzgeraldArt.com

How might my artwork add to a project you are working on? I'm happy to discuss and quote prices for commission projects: give me a call.

646.369.7184

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