͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ ͏‌ 
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      The writhing of our species is at times violent, at times gentle. Always we look for the light that shines from our native tongue. Whatever words we use now, came from another tongue. A long ago tongue; a tongue who was energy, and changed with the changing energy across the seasons, and centuries. We came along lately, and some knew the native tongue: others heard it. Some worked at translating it, though it needs no new words to tell its essence. The consonants and vowels of my native tongue are wonder and energy. These two root utterances measure and encompass all that is worthwhile for me to say. They are my native tongue. I speak my native tongue through another language than what you are engaged with at this moment. Energy and wonder cross-fertilize the visual language. It is ever changing.

      Wonder-producing work is being done to figure out how life emerged on this planet. Slowly scientists are accruing data that indicate a vast interconnectivity. Our genome contains DNA from ancestor bacteria. The code of human DNA lines up with remarkable similarity to that of our close primate cousins. The places where we diverge from the plant kingdom offer additional connections. We are getting far enough along to know that our belief systems need to change: we are not the unique, highest order species inhabiting this planet that we once assumed as an essential indentity. Witness horizontal gene transfer, and endosymbiosis; two of the plethora of phenomenon uncovered by the careful study of cells, molecules, and their myriad interactions. (The history of this investigation is beautifully delineated in The Tangled Tree, A Radical New History of Life, by David Quammen.)

     Another chronicler of connectivity speaks with a slightly different accent, and from the identity of how a person is grounded in a geographic place. Wendell Berry writes, "What I know is that shout of limitless joy, love unbound at last, our only native tongue." His description of the native tongue makes visible the granular play of love; how we parse it in community, dare it privately, and embrace it across complex psychologies. (P. 268, Jayber Crow.)



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Matter and Spirit: Light and Energy.

The show remains on view through June 21, 2025. I am happy to meet you at the gallery should that be something you would be interested in.



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Making artwork is like constructing a velvet bridge: one shore is our language-based physical world. The other is outside of language: a place brimming with essences, spirits, transformative connections, ideas, and thoughts unattached to anyone’s agenda. We are meant to make these bridges, to unite these two worlds. And so, we try.

Visit the new Spliced Connector Website!

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www.splicedconnector.com
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Black Pearl 5, 16" diameter, oil paint, mica, 22k Moon gold on yupo mounted on panel, $1,600.

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Black Pearl, 36" diameter, oil paint, mica, silver on yupo mounted on panel, $3,600.

These 2 Black Pearl paintings are part of the Spring Salon at Art Lives Here NYC.

The salon runs through late Spring. 

To schedule a convenient time to visit the exhibition DM @connieleecurated or email [email protected].

We have created a catalog to introduce the different aspects of my body of work. Please email me if you'd wish a hard copy of this - I'm happy to send it.



You can access a digital version here.

If you'd like a pdf version, email me and I'll send it along.

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Top: Early May, Rt. 202

Watercolor on prepared paper, 14 x 12".

$350.

Bottom: Vermont Trees

Watercolor on prepared paper, 12 x 9".

$350.

  These two works are available on Fair Share Art on Instagram

 throughout May and June. Get in touch if you are interested. 

Buy affordable work directly from artists, with confidence.

@fairshareart on Instagram

Beyond The Ken

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Burning Bush, 60" diameter, oil on canvas, $13,150.

Burning Bush is part of the Pell Lucy collective show at Artsy.net.

Find it here.

From the curatorial statement written by Deborah Barlow:

Art is an act of reaching into the unknown, both in the creation and in the
comprehension. “Beyond the Ken” is a good reminder that ineffable forces are driving the artist’s hand. Unidentified forces are also driving the pulse of the world at large, and the global conditions of unpredictability are increasing exponentially. 

Homing

A Spliced Connector Group exhibition at Artsy.net

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The Cave, 16" diameter, oil paint, mica, magnesium leaf on paper mounted on panel, $1,750.

         Homing is an exhibit of 31 contemporary artists at Artsy.net          

         From the curatorial statement: 



        The homing that artwork offers us is one of bridging two worlds: interior   and exterior. Our experiences with artwork, whether creator or consumer,   make a ‘velvet bridge’ in the words of poet Czeslaw Milosz. In Milosz’s poem,   it is prayer that constructs this velvet bridge. In the world of the visual   language, it is the elastic quality of this language that constructs such a   bridge. Alive in a world of determinate phenomenon, such resoluteness often   nails us into understandings we have not imagined. As in poetry, the power of   metaphor, the door-opening strength of something pliant can illuminate a way   forward. Homing returns us to a world rich in connections, associations,   reflections from our own imaginings.

               

Homing on Artsy

Fluid Media group has an exhibition posted to Artsy.net, 

Beyond Language.

This show celebrates the significance of visual art as a medium that exists beyond language. Visual art encourages us to explore and inhabit spaces of thought and emotion that transce nd language, highlighting its unique strength and power.

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Morning Light, 20" diameter, oil paint, mica, Venetian plaster with 23k gold on yupo mounted on panel, $2,600.

Beyond Language on Artsy
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Alma Gallery in Chicago recently installed a number of my paintings for their 3rd Friday Artwalk. Find more information here: https://www.almaart.com/

My work is widely available outside of the studio.
Find it in these online presentations:

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Visit FitzgeraldArt on social media:

Please feel free to call on me for all your visual art needs!

www.FitzgeraldArt.com

How might my artwork add to a project you are working on? I'm happy to discuss and quote prices for commission projects: give me a call.

646.369.7184

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